Teaching

I teach across German language and literature, comparative literature, Africana studies, and global studies. My seminars bring German colonial history, Afro-German experience, and questions of memory, justice, and belonging to Williams students at every level. Many are cross-listed and taught in English. In the classroom, students know me as Prof. O.G.

On the first day of every class I teach, I tell my students what I have been teaching myself. The piano I took up during the pandemic, while I was completing qualifying exams and writing a dissertation, and I stayed with it long enough to write something of my own and play it in front of some of the people who matter to me. Alongside this, for about a year now, I have been learning chess, and I still lose regularly. I want my students to meet a human being before they meet a professor, and to know that everyone in the room can already do something better than I can, before I ask them to take risks in front of me.

That is the first move in something I take seriously: that every course carries two curricula at once — the formal one of objectives and grades, and a hidden one of curiosity, fairness, and the habits of mind students carry out with them. I make room for questions and for mistakes, teach the skills that outlast a syllabus, and bring the world into the room through film, music, and whatever helps an idea land — because questions, not answers, create knowledge.

Europe and the Black Diaspora

GERM 234 / COMP 238 / AFR 236 / GBST 201

The entanglements of the Black diaspora and Europe from the late nineteenth century to the present, read through memoir, film, and creative work. In English.

Literature as Resistance

GERM 333 / COMP 312 / AFR 331 / GBST 333

How writers and artists across African, German, and American contexts — Bertolt Brecht, Audre Lorde, Frantz Fanon, Fela Kuti — use literature as a tool of resistance and survival. In English.

Heimat: Identity, Belonging, and Home in German Literature

GERM 302

The many meanings of Heimat — home, homeland, belonging — across German literature and film, from Romantic roots to migrant reclamations. In German.

The Mediation of Nationalism in Germany (1871–1918)

GERM 313

How mass media, public art, and popular culture built a German national identity across the Empire, and defined it against a perceived Other. In German.

The Other Germans: Diversity in Contemporary German Literature & Culture

GERM 210

The plural landscape of contemporary German society — Afro-German, Turkish-German, and other communities — through literature and film. In German.

(In)justice and Morals in German Literature

GERM 205

Moral and legal dilemmas in the German literary tradition — Brecht, Kafka, Dürrenmatt, the Grimms — read closely and discussed in German.

German language sequence

GERM 101 · 102 · 104

Elementary through intermediate German (CEFR A1–B2).

Courses in Development

Resisting the Reich: (Non-)Jewish Resistance and Agency in the Holocaust — developed at the Silberman Faculty Seminar, US Holocaust Memorial Museum, 2026; teachable in German or English.